oh haigh...: technology

Showing posts with label technology. Show all posts

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4/23/2009 | | Tacks: info, technology

Amazing 3D immersion technology from IDEO Labs on Vimeo.

[Via]

Jenny Holzer _______________________________________

| | Tacks: art, installation, technology

www.jennyholzer.com
randomly found her astrological chart:
http://www.astrology21.co.uk/p1holzer.html

Erwin Redl __________________________________________

| | Tacks: art, installation, technology

Austrian-born artist Erwin Redl uses LEDs as an artistic medium. Working in both two and three dimensions, his works redefine interior and exterior spaces. Born in 1963, Redl began his studies as a musician, receiving a BA in Composition and Diploma in Electronic Music at the Music Academy in Vienna, Austria. In 1995, he received an MFA in Computer Art at the School of Visual Arts in New York, where he now lives. Redl’s works have received attention both nationally and internationally. With his piece Matrix VI (detail), he lit the face of New York’s Whitney Museum of American Art for its 2002 Biennial Exhibit. Works such as Matrix II, which was shown in New York, Germany, France, Austria, and Korea, and Fade I, which animated the Eglise Sainte-Marie Madeleine in Lille, France, explore volume and allow people to move through lit spaces.

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nendo

4/06/2009 | | Tacks: technology

"Nendo created blown-fabric for Tokyo Fiber ’09 Senseware, an exhibition intended to convey the possibilities of new materials developed with Japanese synthetic fibre technology.
'Smash' is a specialized long-fibre non-woven polyester that can be manipulated into different forms through hot press forming technology. Because it is thermoplastic, light and rip-proof, but glows beautifully when light passes through it, we wanted to create lighting fixtures in the style of vernacular Japanese chochin paper lanterns with it."

"The structure of standard chochin consists of thin strips of bamboo wrapped around a wood frame and strengthened with vertical stitching. Japanese mulberry paper pasted over the frame completes the lamps, and gives them their characteristic glow. But we realized that Smash’s particular properties would allow us to shape it like blown glass into a seamless one-piece lantern. It is impossible to completely control the process, so each fixture takes a unique form as heat is added and pressurized air blown into it. As in glass-blowing, we can intervene during the production of each piece, resulting in a collection of objects whose infinitely varied imperfections are reminiscent of the infinite formal mutations of viruses and bacteria in response to environmental changes, and a far cry from the standardized forms of industrial mass-production.

The fixtures are weighted at the base by the light source. This simple, straightforward contrasts with the careful selection of materials. Smash changes form if the interior temperature rises above 80 degrees centigrade, so we mounted low-heat LED bulbs in machined aluminium sockets that double as a heat-sink to maintain a low interior temperature."