henrik menné ______________________________________

75P 2004
The machine is an iron construction on which a small rotating iron disk is mounted. Onto this rotating disk, small drops of hot wax are poured. The rotating disk swirls the drops creating a shape on the floor. The rotating disk is 15 centimetres in diameter and placed 80 cm above the floor. With these measurements, the drops will create a shape of approximately 1 m in diameter. After a few days, the wax will have created a thin cone-shaped shell.

114L 2006
The installation consists of a machine, which melts glue into thin threads. The threads are blown onto open structures of aluminium and thereby create a number of almost identical objects. The structures are attached to the machine one at a time, and as they are rotated they are entangled with thin strings of fluid yellow glue, which closes the open structures over time. After ca. 5 days of entanglement the object will be placed on the floor next to the machine. The dimensions of the installation vary as more objects are produced.

STONE AND ACID 2004
The device consists of a container for citric acid, which is connected to a jet from where acid drops to the marble rock. As the acid hits the stone a mark slowly corrodes the surface. The mark expands over time.

http://kunstdk.dk/artist/henrik_menne

felice varini _________________________________

Felice Varini is a Swiss artist who was nominated for the 2000/2001 Marcel Duchamp Prize, known for his geometric perspective-localized paintings of rooms and other spaces, using projector-stencil techniques. According to mathematics professor and art critic Joël Koskas, "A work of Varini is an anti-Mona Lisa."
Felice paints on architectural and urban spaces, such as buildings, walls and streets. The paintings are characterized by one vantage point from which the viewer can see the complete painting (usually a simple geometric shape such as circle, square, line), while from other view points the viewer will see ‘broken’ fragmented shapes. Felice argues that the work exists as a whole - with its complete shape as well as the fragments. “My concern,” he says “is what happens outside the vantage point of view.”

http://www.varini.org

Hans Hemmert ________________________________

::

Ryuji Nakamura _______________________________

exhibition ryuji nakamura 2






atmosphere







catenarhythm






http://www.ryujinakamura.com

sarah dayo ___________________________________

SARAHDAYO.COM

Jenny Holzer _______________________________________

www.jennyholzer.com
randomly found her astrological chart:
http://www.astrology21.co.uk/p1holzer.html

Erwin Redl __________________________________________

Austrian-born artist Erwin Redl uses LEDs as an artistic medium. Working in both two and three dimensions, his works redefine interior and exterior spaces. Born in 1963, Redl began his studies as a musician, receiving a BA in Composition and Diploma in Electronic Music at the Music Academy in Vienna, Austria. In 1995, he received an MFA in Computer Art at the School of Visual Arts in New York, where he now lives. Redl’s works have received attention both nationally and internationally. With his piece Matrix VI (detail), he lit the face of New York’s Whitney Museum of American Art for its 2002 Biennial Exhibit. Works such as Matrix II, which was shown in New York, Germany, France, Austria, and Korea, and Fade I, which animated the Eglise Sainte-Marie Madeleine in Lille, France, explore volume and allow people to move through lit spaces.

[Via]

ENESS

"The LightScraper is a towering vortex of visuals and sound feeding off its surroundings. Featuring real-time 3D graphics and a human motion tracking system, the LightScraper explores new forms of engagement with technology and ultimately each other, the closer we go the higher the glow." by ENESS


Large scale snow sculpture at Mount Buller (Australia) illuminated by 3d projection software by ENESS.

More here.